Artemis to the Moon
Image Credits: Erik Kuna and Supercluster
There are photographers who plan a shootโฆ and then there are photographers who prepare for a rocket launch.
This is firmly the second category.
When Erik Kuna set out to capture the launch of NASAโs Artemis rocket, this wasnโt just about pointing a camera skyward and hoping for the best. This was precision, redundancy, timing, and a whole lot of problem-solving in the dark, with one chance to get it right. No pressure, then.
And thatโs exactly where the new Platypod Bracket system comes into its own.
Multiple Cameras, One Mission
Rocket launches are unpredictable. Light changes fast. Angles matter. And once that engine ignites, youโre not adjusting settings or swapping lenses. You either got it, or you didnโt.
Erikโs solution? Run multiple cameras, each locked into a specific role.
Wide. Tight. Mid-range. Different exposures. Different focal lengths. All firing in sync to tell the full story of the launch.
Normally, that setup gets messy fast. Tripods everywhere, limited mounting options, and the constant risk of something shifting at exactly the wrong moment.
Enter the Platypod Bracket.

Built for Controlled Chaos
The Bracket system is one of those bits of kit that quietly solves a big problem.
It gives you a clean, stable way to mount multiple cameras or accessories on a single support. No balancing acts. No awkward rigs. Just solid, flexible mounting that lets you build exactly what you need.
For Erik, that meant:
- Multiple cameras mounted securely in a compact footprint
- Precise control over composition for each body
- Confidence that nothing would move when it mattered most
Because when youโre photographing something that literally shakes the ground, stability isnโt a luxury, itโs everything.

One Shot, Done Right
The results speak for themselves.
Stunning, razor-sharp images of the Artemis launch, captured from multiple perspectives, all perfectly timed. The kind of images that donโt just show the event, they feel like it.
This is what happens when preparation meets the right tools.
Itโs not about making things complicated. Itโs about making complex setups simple, reliable, and repeatable.

Why It Matters
Most of us arenโt shooting rocket launches every weekend. Shame, really.
But the same principles apply whether youโre shooting landscapes, time-lapses, events, or creative composites:
- More cameras means more creative options
- Cleaner setups mean fewer problems
- Stability means sharper results
And thatโs exactly what the Platypod Bracket system delivers.

Erik Kuna didnโt just capture a launch. He engineered a setup that gave him the best possible chance to succeed in a high-stakes environment.
Thatโs what great photographers do. They stack the odds in their favour.
And with tools like the Platypod Bracket, stacking the odds just got a whole lot easier.
Now, you might not have a rocket launch lined up this weekโฆ but Iโd still recommend being ready.

